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July 22, 2010
Batman Begins (2005)
Should I see it?
Yes.


Short Review: Proof that even superheroes hate to go to work everyday.



Director Christopher Nolan has shown that even if you have your hero dressed up for Halloween, it doesn’t mean you have to play down to your audience. This is easily the best version of Batman to be produced. Where the Tim Burton line of Batman films were comical and goofy, this one is brooding and serious. I believe the latter is more suited to this hero. Batman is a guilt-ridden anti-hero, he’s not Superman. Nolan was very smart to take this opportunity to explore the underside of the conflicted post-modern hero.

Exposing the darker side of the Batman character is an interesting choice because he is essentially a god (notice the lower case). Today’s superheroes are much like the pantheon of Greek gods of old. They are a stopping point between us and God (notice the upper case). The superheroes (gods) are super human but sub-God. The Greek gods were powerful and controlled the fates of men but were flawed with lust and greed like man. It is interesting to see one of these fallen gods (Batman) be troubled with this situation. This film takes the fallen hero’s humanity very seriously and that makes this film worth the investment.

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Christian Bale is a solid choice for this reinvention of the cinematic Batman. The darker take on Bruce Wayne is a perfect fit for Bale's intense performance style. He is the kind of performer who can read the instructions for a can opener and make it sound like its the launch codes of a nuclear warhead about to be unleashed. Bale's brooding presence heightens Wayne's guilt-ridden, conflicted personality. Through the strong display of Wayne's emotional baggage, his transformation into Batman makes more sense. In the goofier versions of the character, there was always a disconnect. He was heroic, yet he was dressed up like a bat - a shadowy vermin.

I appreciate that Nolan and David S. Goyer, who wrote the screenplay, have left us with a perfect set-up for the sequel. I won’t ruin the ending but with Gotham left in the state that it is in, the rise of The Joker is perfectly logical. The ending of the film is a far better beginning for The Joker than having him being dipped in a vat of goo as they did in the Burton version.

Too bad they messed up The Dark Knight so badly. For more on why The Dark Knight is useless, read my review.

Overall, this is a top-notch film that has more brains that a majority of films released today. By the time this film was released, Nolan had already proven himself to be a director of notable talent. This production marked him as one of the top of his generation

I highly recommend this film but would caution people with small children. While this is a superhero movie, there are some rough scenes that may frighten smaller kids to death. Be warned.


Related Reviews:
Christopher Nolan movies
Inception (2010)
The Prestige (2006)


Other Critic's Reviews:
Variety
Roger Ebert



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posted by Michelle Obama's Left Nut at 10:00 AM



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January 21, 2010
The Gift (2000)
Should I see it?
Nope


Short Review: The real gift is if this movie came with a complimentary barf bag.



Billy Bob Thornton can’t write.

Let’s be clear, neither can I. I don’t know if you’ve ever noticed my atrocious grammar. I understand I am chucking big ol’ cinder blocks at William’s glass house, but I must.

Billy Bob Thornton can’t write.

This film is a drifting, condescending bore. Even with a very talented cast (Cate Blanchett, Greg Kinnear, Giovanni Ribisi, JK Simmons, Gary Cole and Hilary Swank) and one of the best working directors, Sam Raimi, this film is like eating paste dipped in rotten flour. It’s bland and yet leaves an awful taste in your mouth.

Billy Bob is a very talented actor, but I refuse to give him credit for his script work. I need only this film and Sling Blade to buttress my complaint. This guy’s work is first of all BORING. Not just slow, but produces a soul-pounding boredom - listening to Ben Stein reading the collected works of James Joyce boring. Moreover, he hates southerners. Sure, Billy Bob’s name is Billy Bob, but this guy’s writing pokes the South in the eye at every turn. To view his work, you’d think no one below the Mason-Dixon line has any real value. Can we have yet another presentation of a dim eyed, drunken, slacked jawed yokel beating his wife? These guys exist sure, but can we have the other side of the coin every once in a while?

Are there positive sides to this film? No, not really. It’s not a complete loss, but there’s nothing here to recommend either. It’s a bland, lifeless movie waiting for its turn in the bargain bin at your video store. Which is where it belongs.


Related Reviews:
Greg Kinnear movies
Unknown (2006)
Ghost Town (2008)


Other Critic's Reviews:
ReelFilmCritic.com
PopMatters



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posted by Michelle Obama's Left Nut at 8:00 AM



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