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June 12, 2010
The Road (2009)
Should I see it?
Only if you want to feel like crap for a week.


Short Review: Ah, those warm moments between father and son. Spending time together. Sharing a cold soda. Running from cannibals. Practicing how you're going to commit suicide. This movie is the perfect Fathers Day gift.


Sure the apocalypse has come leaving civilization destroyed, there's no food, you're cold, homeless and constantly fighting off cannibals, but on the bright side...oh, that's right, there is no bright side. You're going to die, you will starve alone and cold and when you're dead cannibals will feast on your malnourished bones. Happy times! The End.

If you like depressing I have found the new center of your DVD library. My friend Krusty over at Fistful of Donuts hits the nail on the head with his review:

And The Road doesn't hold out much hope for mankind. Cannibalism, rape, torture and murder are just under the surface of each of us, according to this film, and even good people are likely to become senselessly, inhumanly cruel when removed from the dictates of civilized interaction. This movie isn't just cynical; it's absolutely relentless.

Relentless is the exact word. You have a scene where the father portrayed by Viggo Mortensen (who is apparently made of leather now) teaches his son (Kodi Smit-McPhee) how to put the pistol in his mouth and properly blow his brains out. If that doesn't give you pause, I don't know what will.

The film follows a father and son as they walk south following an apocalyptic disaster. The disaster itself is not explained or shown. We are not given a view of the world as it falls apart. The focus is on the desperate last gasps of humanity. Civilization completely gone, hope for long-term survival gone, men become animals scraping for every last scrap of existence - it ain't pretty.


The problem the film faces is if you're going to ask your audience to sit through this kind of content, you better have a solid point to make. You better end with a definitive statement. This film lacks that satisfying payoff. I don't mean we need to have a happy ending, but one with some depth. The ending of this film stinks of a focus group, or at least a writer who didn't know how else to end things.

There are many aspects of the film that are well thought out and executed about as good as possible. There are strong supporting performances by Robert DuVall, Michael K. Williams and Charlize Theron. All of this wasted by a less than brilliant ending. In this way, the film replicates its presentation of civilization, a great deal of effort, much of it worthwhile, but it all comes down to weak moments that devalue everything that came before it.



Related Reviews:
Viggo Mortensen movies
Eastern Promises (2007)
Appaloosa (2008)


Other Critic's Reviews:
Miami Herald
Chicago Tribune



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2 Comments:

Anonymous Bruce said...

I like the ending. It's realistic. How could the ending be anything other than a damp squib? There is nothing, all humans are animals (as we always have been) and there is no hope, just the instinct to survive - and that only in some of us.

I miss ending to films like this, like they used to have in the 70's in particular. See such great dperessive endings as those from Vanishing Point and Dirty Mary, Crazy Larry. 80's, 90's and 00's viewers seem to demand of Hollywood a happy and complete resolution of the whole film sometimes in as little as 2 minutes. Balls I say! I like to be left hanging - that is realistic - with the distinct timbre of a gut-punch to my cerebellum.

Anyway - the biggest flaw about The Road is that Viggo didn't demand of Charlize one last shag before she walked out into the dark. Talk about unrealistic! Pah!

June 14, 2010 at 7:05 AM  
Anonymous cookiechicks said...

Did we see the same movie? You write that the movie lacked a "solid point". I disagree and think the point was made again and again, i.e., love matters, honor matters, family matters, courage matters, hope matters, charity matters when faced with horror and death. The father lived each moment for his son to secure him the hope of a safe future. The son reached out to everyone stranger in need by offering charity and conversation. The father's efforts are heroic and honorable. How he maintained them in the post-apocalyptic world can only be explained by his deep faith in his family and in "carrying the fire" in his heart. He is the true pioneer navigating the unknown territory with minimal tools and food searching for a new world. I'll be thinking of him this Father's Day. Maybe you can watch the film again and look for some nuance of beauty, faith and truth.

June 15, 2010 at 9:40 AM  

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