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January 21, 2009
Movie Recommendations #22: Classics
Here are some classic films you may want to check out the next time what you're looking for isn't available.


The Third Man (1949)

After being invited to take a job by his friend Harry Lime, writer Holly Martins (Joseph Cotton) arrives in post-World War II Vienna. He discovers that Lime (Orson Welles) has been killed in strange circumstances. Martins begins to investigate Lime's death and uncovers a burgeoning underground of corruption, mystery and danger.

This is one of those films where the various elements coalesce to create a work of unique flavor. Orson Welles' performance as Lime is worth the price of admission. This combined with Carol Reed's masterful direction, Robert Krasker's striking cinematography that sets the atmosphere for the production and Anton Karas' score that heightens the mood and never overwhelms the scenes, makes this one of the great films in history.


To Catch a Thief (1955)

A former cat burglar (Cary Grant) who, in light of new jewel thefts, is suspected of returning to his old, criminal ways. He joins forces with an insurance man to uncover the identity of the real their. Along the way he gets wrapped up with an American heiress (Grace Kelly). This film is a little uneven and feels stilted in places. The French Rivera backdrops, charming performances by Kelly and Grant along with the fantastic plot all serve to gloss over these flaws. Sometimes personality is enough to get by.


Stagecoach (1939)

John Ford was a master directors and John Wayne was one of the greatest film actors of all time. This brilliant film stands as a testament to the talents of both men. The story is simple, a stagecoach ride turns rough when the travelers are set upon by Geronimo and his men. Look for a great supporting performances by Thomas Mitchell and Andy Devine.

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1 Comments:

Anonymous Robert M. Lindsey said...

I love the Third Man and Stagecoach. To Catch a Thief is good, but I don't enjoy it as much as the other two.

January 24, 2009 at 2:13 PM  

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